FLOC  Movement Lab

With Helen Duncan

What’s on

FREE DANCE & MOVEMENT CLASSES

As part of research performance project - Refractions

As part of my new research and performance projection - Refractions - I’m delighted to offer a series of free movement classes / workshop:

Starting Monday 5th May

As part of this project we will meet, dance, chat & ruminate. We’ll move, we’ll dance and we’ll take up space!

You can take it as seriously as you like or just dive in and have some fun! What’s right for my body is different to what’s right for yours and through movement and play we’ll discover what fits best for each of our individual selves within the dance studio environment.

Suitable for the absolute beginner as well as the seasoned pro!’

This project has been supported by a City of Greater Geelong Community Grant 

ABOUT HELEN

Helen is a graduate of the Western Australian Academy of Performing Arts and holds a BA Arts (honours) in dance. Her history of movement & choreography training continue to influence & feature within Helen’s other areas of professional work including theatre, design, wearable arts, project management & community arts initiatives.  

Career highlights have included Creative Director of Wearable Art Mandurah (2014-2017 & 2022). Working with the City of Mandurah, Helen & an incredible team of collaborators helped lead the competition from a small-scale fashion show into one of Australia’s most prominent Wearable Arts Showcases. 

As the co-founder and former Artistic Director for Riptide Performing Arts Company (2011-2014) Helen has forged opportunities for this incredible group of young people to create new works and gain introduction to and experience working with industry professionals from Sydney Theatre Company, Black Swan Theatre Company, Griffin Theatre, Barking Gecko, Shaun Parker and others. The company continues to thrive in it’s regional home at Mandurah Performing Arts Centre.

In 2021, Helen received a major Arts Industry Commission from City of Geelong for a site-specific digital project title ‘Micro-Moves’. The project utilised QR codes, film & digital technologies to lead audiences on a tour of locally filmed dance performances captured around the Geelong CBD.

Helen has worked within theatre as a movement consultant

& she is particularly proud to have contributed to Elbow Room’s production “Niche”, awarded top 10 productions of 2017 by Time Out Magazine.

In support of her choreographic pursuits, Helen is honoured to have received in-kind access grants from Geelong Arts Centre, Mandurah Performing Arts Centre, KAGE Coach program, Creative Behaviours Studio & Newington Dance Space (UK).

In collaboration with other artists Helen’s full length works have been presented at Edinburgh Fringe, Perth Fringe, Melbourne Fringe & Melbourne International Comedy Festivals.

With fifteen years of experience,

Helen has worked as a producer and project manager for City of Geelong, Geelong Arts Centre, City of Mandurah’s Stretch Arts & Cultural Festival, Wearable Art Showcase, Northern School of Contemporary Dance, Verve Post Graduate Performance Company, Enlighten Me Birregurra Project & Creative Behaviours Collective.

Creative Interests.

As part of my post graduate performance studies I danced with Link Dance Company under the direction of Michael Whaites.  Michael was former dancer with Pina Bausch Tanztheater Wuppertal in Germany and I like to think my choreographic process, creative interests and inspiration has been importantly influenced and informed by this lineage.   

I am interested in creating work and participation activities that reflects contemporary society and mirrors the people we are today; our cultural social affairs and how we exist on a day to day basis.  In doing so, I hope to reveal an appreciation for a spectrum of modern human behaviour and tendencies including its beauty, its vulgarity, its wisdom, its stupidity, its complexities and its simplicity.

I try my best to produce professional outcomes that support collaborators to feel safe and seen.  I work with a strengths based approach; collaborating with others to identify and use individual strengths and assets to generate strong and authentic performance outcomes. This is irrespective of a collaborators level of experience and training. I believe quality performance outcomes can be achieved by viewing the body and self as inherently interesting and capable while sensitively and instinctively embedding a collaborators contribution into a robust framework for professional level production. 

Professional Development Grants Received

Place to Make Grant, Geelong Arts Centre’s Creative Engine 2021
KAGE COACH recipient 2012
Mandurah Performing Arts Centre – Diving into the deep end recipient 2011
Jardin D’Europe Scholarship winner 2009 – Attendance at Ultima Vez workshop with Laura Aris
Choreolab with Wendy Houston & Gary Clarke 2010
Australia Councils Art Start Grant 2010

Professional Development Workshop Participation

Force Majeure Masterclass, Danielle Micich (2016)
Countertechnique Intensive, Anouk van Dijk (2012)
Composition Workshop: Crossing the Stage. and other scores, Matteo Fargion, Brighton, UK (2010)
Skinner Releasing Technique, Lily Kiara, Amsterdam, Holland (2008)
Roberto Zappala: Technique and Vocabulary, Uva Grapes Festival – Catania, Sicily (2008)
Inaki Azpillaga: Technique and Vocabulary, Uva Grapes Festival – Catania, Sicily (2008)

 

Image Credits.